Pinoy hip hop - Wikipedia

Filipino hip-hop or Pinoy hip hop is hip hop music performed by musicians of Filipino ... Down Earf, Dugong Pasay, Dugong Ponebre, EHP, El Latino, Flipz, Fungzoi, ... Pinoyhiphop FromWikipedia,thefreeencyclopedia Jumptonavigation Jumptosearch Thisarticlehasmultipleissues.Pleasehelpimproveitordiscusstheseissuesonthetalkpage.(Learnhowandwhentoremovethesetemplatemessages) Thisarticle'stoneorstylemaynotreflecttheencyclopedictoneusedonWikipedia.SeeWikipedia'sguidetowritingbetterarticlesforsuggestions.(February2018)(Learnhowandwhentoremovethistemplatemessage) Theneutralityofthisarticleisdisputed.Relevantdiscussionmaybefoundonthetalkpage.Pleasedonotremovethismessageuntilconditionstodosoaremet.(March2022)(Learnhowandwhentoremovethistemplatemessage) Thisarticleneedsadditionalcitationsforverification.Pleasehelpimprovethisarticlebyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.Findsources: "Pinoyhiphop" – news ·newspapers ·books ·scholar ·JSTOR(October2014)(Learnhowandwhentoremovethistemplatemessage) Thisarticlemaycontainindiscriminate,excessive,orirrelevantexamples.Pleaseimprovethearticlebyaddingmoredescriptivetextandremovinglesspertinentexamples.SeeWikipedia'sguidetowritingbetterarticlesforfurthersuggestions.(May2022) (Learnhowandwhentoremovethistemplatemessage) PinoyhiphopStylisticoriginsHiphop-Pinoypop-Culturalorigins1980sManila,PhilippinesOthertopicsPinoyrockPinoypopPinoyreggae Filipinohip-hoporPinoyhiphop(alsoknownasPinoyrap)ishiphopmusicperformedbymusiciansofFilipinodescent,bothinthePhilippinesandoverseas,especiallybyFilipino-Americans. ThePhilippinesisknowntohavehadthefirsthiphopmusicsceneinAsia[1]sincetheearly1980s,largelyduetothecountry'shistoricalconnectionswiththeUnitedStateswherehiphoporiginated.RapmusicreleasedinthePhilippineshasappearedindifferentlanguagesordialectssuchasTagalog,Bicolano,Chavacano,Cebuano,IlocanoandEnglish.InthePhilippines,FrancisMagalonaandAndrewE.areamongthemostinfluentialrappersinthecountry,beingthefirsttoreleasemainstreamrapalbums.Apl.de.apoftheBlackEyedPeas,CassieVenturaandChadHugooftheNeptunesandN.E.R.D.areamongthecontemporaryFilipino-Americanhip-hopartists.[2] Contents 1History 1.1Origins 1.21980s:Seedsofamovement 1.31990s:OldSchoolHip-Hop 1.42000s:TheriseofPhilippinehiphopscene 1.52010s:FlipTopbattleleague,trapgenreemergenceandsecondgoldenage 1.62020s:TheexpansionofPinoyhiphopscene 2Otherelementsofhiphop 2.1Beatbox 3Filipino-Americanhip-hop 3.1Birthofaculture 3.2Riseoftheturntablists 3.3The"raptivists" 3.4apl.de.ap(AllanPinedaLindo) 3.5ChadHugo(producer) 4Media 4.1Film 4.2Radio 5References History[edit] Origins[edit] ThetownssurroundingthenumerousAmericanmilitarybasesthatwerescatteredthroughoutthatcountrysuchasClarkAirBaseinAngelesCityandSubicBayNavalBaseinOlongapowereamongtheearliesttobeexposedtotheculture;ascontactwithAfrican-American,Filipino-AmericanandLatinoservicemenresultedinsomeoftheearliestexposurethelocalshadtothenewmusicalgenre. 1980s:Seedsofamovement[edit] In1980,theearliestraprecordingcamefromDyordsJavier'ssingle"NaOnsengDelight",aparodyof"Rapper'sDelight"bytheSugarhillGang,[3]releasedunderWeaRecords.Thatsameyear,pioneerVincentDafalongreleasedthesingles,"Ispraken-Delight"and"MahiwagangNunal".[4] GroundbreakinghiphopfilmssuchasWildStyle(1982),Breakin'(1984)andKrushGroove(1985)wereinfluences.In1982,localbreakdancingcrewsliketheAngelesCity-basedWhoozeCo.International,withmembersconsistingprimarilyfromClarkAirBase,TheEclipse(whoseformermembersincludedFrancisMagalona,Dance101983championDarwinTuasonandcurrentFederationSounds'Glenn"Kico"Lelay),Info-ClashBreakersandGroundControl(whosemembersincludedRapMasterFordy,latertobeknownasAndrewE.),andJay"Smooth"MCofBassRhymePossebecamemainstaysinlocalparksandmallsinandaroundtheMetroManilaareasuchastheGloriettamall,whichwasanearlyhotspotforbreakers.SeveralmobileDJcrewsoftheeraincludedsuchnamesastheRockAllPartiesCrewwhichemergedontothesceneonlytoproducefuturePinoyrappioneerssuchasAndrewE.andNormanB.[5] 1990s:OldSchoolHip-Hop[edit] Thissectionneedsadditionalcitationsforverification.Pleasehelpimprovethisarticlebyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.Findsources: "Pinoyhiphop" – news ·newspapers ·books ·scholar ·JSTOR(June2020)(Learnhowandwhentoremovethistemplatemessage) ThegenresoonenteredthemainstreamwithFrancisMagalona'sdebutalbum,Yo!(1990),whichincludedthenationalistichit"MgaKababayan"("MyCountrymen"),whichbroughtMagalonatoprominence. MoreartistsfollowedinMagalona'sfootsteps.ThelistincludesAndrewE.whoreleasedhisfirstsingle,"HumanapKangPangit"("LookforSomeoneUgly")in1990[6]andMichaelV.withthereleaseofhisfirstsong"MagandaangPiliin"("PickSomeonePretty")in1991,acompanionpiecetoAndrewE.'s"HumanapKangPangit".[7] Knownasthe"goldenage"ofPinoyhiphop,the1990smarkedthebeginningofmanyrapidstylisticinnovationsbeginningin1991withtheestablishmentoftheDiscoMixClubPhilippineswhichwasoneoftheearliestplatformsforPhilippineDJmixingbattles.EarlyinnovatorsofthestyleincludedDJsCarloYalo,NoelMacanaya,Rod"DVS"TorresandOmarLacap,amongothers.[8] FollowingthepathsetforthbytheirBassRhymepredecessors,thetri-lingualrapgroupRapasiareleasedtheirself-titleddebutrecordin1991,garneringthehit"Hoy!Tsismosa".OneoftheearliestFilipinohiphopgroupstoembracesuchanabstractformat,thealbum'slyricalcontentoftencontainedamixtureofvariousPhilippinelanguages(includingTagalogandChavacano)alongwithEnglish.[9]Rapasia'sinnovativestylewasbuiltuponyearslaterbyotherPinoyrapgroupssuchasZamboanga'sGhost13.Rapasia'smembersincludedMartin"Bronx"Magalona,brotherofPinoyrapentrepreneurFrancisMagalona.TheothertwomembersareFilipino-American,RonaldJamiasa.k.a.RonskiJandtheTausug-bornBenMohammada.k.a.BrotherBM.ThegroupwasinitiatedviaanInternationalRapCompetitionsponsoredbyVIVARecordsandwasheldattheMusicMuseuminMandaluyong.AndrewEemceedtheprogram. MastaplannwasalsoanothergroupthatdidalltheirmusicinEnglish.ThegrouphadthreeDJsandtwoMCs.TheMCswereknownasType(JohnnyLuna)andTracerOne(ButchVelez,brotherofactressVivianVelez).Theyreleasedthreealbumsthatwentmulti-platinum.Thegroupwasformedin1992inthePhilippines,withoriginalgroupmembersButchVeleza.k.a.TracerOne,JohnnyLunaa.k.a.TypeSlickk,DiscoMixCompetitionDJsSonnyAbad,NoelMacanayaa.k.a.DJMOD,LopieGuzmana.k.a.DJOuch(alsoof89.1DMZ-FMandRSLSound&LightingCompany),andmanagedbyJesseGonzalesandDJGilby.ButchandJohnnywerebalikbayansfromtheSanFernandoValleynearLosAngeles,SonnyabalikbayanfromHerculesneartheSanFranciscoBayAreaandNoelandLopienativeFilipinos.In1992,MastaplannwassignedbyUniversalRecords,wheretheyreleasedtworecords;theirdebuteponymousreleasein1993,andin1994,TheWayofthaPlann.Thesealbumseventuallyobtainedplatinumstatus. ThepioneeringPinoyhiphopactBassRhymePossereleasedtheirself-titleddebutalbumonVIVARecordsin1991,whichspawnedtheculthits"LettheBeatFlow","BuhayEstudyante"("StudentLife")and"JuanT.",becomingthegenre'sfirstrapgrouptoreleasearecord.[citationneeded] 1992markedaturningpointforPinoyrapwiththereleaseofFrancisM'sinfluentialsecondalbum,RapIsFrancisM,whichisregardedasoneofthegreatestPinoyrapalbumsever.[bywhom?]UsheringinasociallyawokenwavenotseeninthePhilippinemusicindustrysincetheheydayofJuanDeLaCruz,Sampaguitaand1970sPinoyrock,Magalona'stracksdissectedthevariouscultural,socialandpoliticalproblemsthatplaguedhiscountrysuchasdrugaddictionin"MgaPraning"("TheAddicts"),politicalcorruptionandinstabilityin"Halalan"("Election")aswellasthedetrimentaleffectsofacolonialmentalitytoFilipinoculturein"Tayo'yMgaPinoy"("WeAreFilipinos").Therecord'scomplexityandsociallysentientmessagequicklyearnedititsclassicstatusandbecamethestandardbywhichfuturealbumsofthegenreweretobecomparedto.[citationneeded]Magalona'senduringcontributionstothegenrewasrecognizedintheAllMusicGuidetoHip-Hop:TheDefinitiveGuidetoRapandHip-Hop(2003)publishedbyBackbeatBooks;[10]aswellasintheU.S.-basedhiphoppublicationTheSource(May2004). AnotherFilipinohiphopartistwhoachievedprominenceduringthe1990sistheformerlyLosAngeles-basedDJAndrewE(bornAndrewEspiritu),whosetracks"HumanapKangPanget"("LookforSomeoneUgly")and"MakatiGirl"(asdonebyNormanB.ofBassRhymePosse;thefirstPinoyraptrackrecordedtocontainbeatboxing)becamebighitsinthePhilippines,rivalingevenFrancisM'spreviouslyuntouchablereignontop.Priortolandingarecordingcontract,therapperhadcompetedinvariousrapcontestsaroundthePhilippines;thelikesofwhichalsoproducedPinoyrapstarsMichaelV.,DenmarkandMartin"Bronx"Magalona.AndrewE's1991hit"HumanapKangPangit"wasthefirsttospawnaplethoraofresponserecordsfromotherrappersinthecountry,suchasMichaelV's"MagandaangPiliin"("PickSomeonePretty").Therapper'sabilitytocombineuniquestorytellingwithraunchyandhumorouswordplaylacedwithcatchybeatsmadeAndrewthefirstofhiskindinthegenre.[11]HethenwentontoreleaseamovietitledAndrewFordMedina:HuwagKangGamolin1991whichwasthefirstfilminthePhilippinestoincludeafull-onfreestylebattleonscreen.Bythemid-1990s,hehadestablishedhisownrecordlabel,DongaloWreckords,aswellasmanysuccessfulrapgroups,includingCebuanorappersTheAnthillMobb,MaddPoetsandBicolanorappersSalbakuta.Theformer,knownfortheircomplexandversatilelyricalability,achievedfamewiththeirdebutalbumIkatlongMundo.In1997,AndrewEproducedandhostedthefirstPinoyraptelevisionshow,Rap13. 1994sawtheemergenceofanotherrapgroup,headedbyafemalebalikbayanfromNewYork.Thegroupcalled4EastFlavaconsistedofthreehomegrownrapistas-Von"Mack"Padua(whowasmoldedbyMartin"TheBronxman"MagalonaandnowwiththegroupPinoyRepublic),Bernard"P-Slick"Santiago,andPaul"Shorty"Navarro,twoDJs(DJEdgeandDJMec),andJug"Honeyluv"Ramos,hailingfromNewYorkwhowasknownas"theroseamongthethorns".Theybroughtoutthehit"ChecktheHood"(usedforashoecommercial)whichwasmisunderstoodasadisstowardsMastaplann. Thesameyear,goingagainstthewaveofradio-friendlyraptracksthatdominatedatthetime,thegroupDeathThreat,foundedbyrappersBewareandGenezide,releasedthefirstFilipinogangstarapalbumwhichtoldtalesofthedailylivesandstrugglesimpoverishedFilipinoyouthfacedgrowingupintheslumsofMetroManilatitledGustoKongBumaet(IWanttoBeGood).[12] In1997,theundergroundPinoyrapgroupPamiliaDimagibareleasedtheiralbumBroke-N-UnsignedonTenementRecords,markingthere-emergenceoftheconsciousemceeinPinoyrap.Acoalitionofsorts,PamiliaDimagibacomposeditselfofseveralundergroundPinoyrappersandcrewssuchas8thMessenger,Shadowblyde,Spoon,Murder-1ofKhan'sAssassins,andYoungGalaxyofIronTriangle,amongothers.Therawseven-track,politicallymindedalbumwasabreathoffreshairatthetime,asPinoyrapduringtheerahadtakenamorehardcore,gangsterpersona.Knownfortheircoarselyrics,serioussubjectmattercomplementedbyheavybeatsfusedwithintraditionalFilipinofolkmusic,thecamp'srecords"Duelo","Manila'sFinest","RealityHurtz"and"Brainstorming"amongotherswerelargelyinessenceathrowbacktotheearly,nationalisticFrancisMinspireddaysofthegenre.[9] Thesameyear,theveryfirstFilipinoRaprecordlabelDongaloWreckordswasestablished. ThewidespreadpopularityofPinoyrapinandaroundtheislandshasresultedinthespawningofanewbreedofPinoyemcees:junior"rapistas".Farfrombeinganewtrend,Jaymie"Baby"Magtotoandher1991hitsingle"Eh!KasiBata"("CauseI'maKid")wasanearlyexampleofPinoykiddierappers.ThesinglewasalsoincludedinthesoundtrackforMagtoto'smotionpicturedebutofthesamenamereleasedlaterthatyear.[13] The2000ssawtheresurgenceofgradeschoolrappersinFilipinohiphop.In2001,RapGroupSalbakuta(underDongaloWreckords)becameaphenomenalthroughitsfirstsingle,StupidLuvandwaslateradaptedtoamovie.2005wasabreakthroughforkidrappersinthePhilippinesasAikee,throughtheMaddWorld/CirculoPugantesCampreleasedhisdebutAngBawatBata(EveryChild)onAlphaMusicandatelevenyearsofage,becametheyoungestFilipinorappertoreleaseafullrapalbum.[14] 2000s:TheriseofPhilippinehiphopscene[edit] Thissectionneedsadditionalcitationsforverification.Pleasehelpimprovethisarticlebyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.Findsources: "Pinoyhiphop" – news ·newspapers ·books ·scholar ·JSTOR(June2020)(Learnhowandwhentoremovethistemplatemessage) Inthenewmillennium,Filipinohip-hoprivalledPinoyrock'straditionalpopularityamongstFilipinoyouth.ArtistswhoarecurrentlyactiveandhavereleasedbothrapalbumsandmusicvideosinthePhilippinessince1990includeAndrewE,Denmark,Beware,K-Ozz,MichaelV.andGloc-9.Otherpopularrapartistsandgroupsofthe2000sincluded2High,6Signs,7ShotsofWisdom,8thDistrict,AnakniBakuko,Lawiboi,Apokalipsis,Artstrong,Akuma,BassRhymePosse,BBClan,BlackPro,Blanktape,Boom,Brownstyle,C-4,CandyCousart,Chill,ChineseMafia,CirculoPugantes,CrisAsero,Cypha-Sis,DagtangLason,D.O.P.E.Rekordz,D-Coy,Deceivious,DFT,DeathThreat,DefucaZapata,DownEarf,DugongPasay,DugongPonebre,EHP,ElLatino,Flipz,Fungzoi,Genezide,GhettoDoggs,GioAlvarez,Grounded,H-Bom,HeavenScent,HidyasClan,Hi-Jakkk,IPK,Jawtee,JohnRendez,JohnnyKrush,K-9Killaz,Kain@Abel,Karayama,Katuga,Kawago,KFS,Kruzzada,Kulay,Kut-5Trilogy,LadyDiane,LegitMisfitz,L-Smith,LyricalAssault,MaddPoets,Mastershock,MCLara,M.C.M.C.,MCDashCalzado,MegaForceCrew(formerlyknownasGrandAssaultTribe),RapskallionFamilia,SYKE,O-Man,O.G.Sacred1,DMJ,MikeKosa,MikeSwift,Godswill,MistaBlaze,Misteazas,Nuztradamuz,OBLAXZ,Quickie,RapAsia,Razzamanazz,RenegadeSouljaz,SakitngSucat,Salbakuta,Seedz,SlyKane,StickFiggas,SunValleyCrew,Syke,UrbanFlow,andVerbalSativa. In2000,thegolden-erarapgroupMastaplannreleasedathirdalbumthroughBMGRecords,underthenewsub-label,FrancisM'sRedEggRecords,titledMastaplann.com,areferencetotheirnewlydevelopedwebsite.[originalresearch?]Additionally,thegroupscaleddowntheirline-uptojustButchandJohnny,andthenaddedJohnnyKrush,anotherbalikbayanfromtheSanFranciscoarea.ThisalbumhasalreadyobtainedgoldstatusinthePhilippines.Currently,thegroupisbasedintheStateswheretheystillperformandmakemusic.Mastaplanniscurrentlyworkingontheirfourthalbum,yettobetitled,tobereleasedunderTrueAsiatikProductionz. Since2004,thePhilippineHip-HopMusicAwardshasbeenheldannuallyinMetroManila.TheshowisreminiscentofTheSourceAwardsintheUS.Gloc-9,consideredtobethefastestrapperinthePhilippinesandformermemberoftherapgroupDeathThreat,heldthetitleforBestRapArtistattheawardsshowforfourconsecutiveyears,from2005to2008,achievingmainstreampopularityandreleasingsuccessfulcommercialalbumseveryotheryear.LiketheAmericanhiphopindustry,musicvideoshavebecomeanimportanttrend(evencontainingsmallcameosfromdifferentFilipinorappers)andaironTVchannelslikeMTVPhilippinesandMYX.DespiteMetroManila'spowerfulpositionoverthemusicindustry,rapgroupsinthesouthhavestartedtogaintheirownshareofpopularity,likeDice&K9a.k.a.MobbstarrfromCebuCitywiththeirfirsthitsingle"Itsumo"in2003,[15]ThavawenyozfromDavaoCitywiththeirdebutalbumHubagin2005,[16]andZamboTopDogzfromZamboangaCity,knownfortheirChavacanorappinginthesongs"Noticias"and"ConversaTa".ItisalsonotuncommonforFilipino-Americanartiststoperformlive,sellrecords,andwinawardsinthePhilippineswhilelivingintheStates,forexamplePikasofromSanFrancisco,CaliforniawhowontheProduceroftheYearawardin2008.[17] In2002,CarloManiquizandNickTuason,togetherwiththeassistanceofFUBU'sheadquartersinNewYorkCity,establishedtheFUBUPhilippinesclothingline,openingupseveralstoresinthePhilippines.Inpromotionofthenewfranchise,FrancisMreleasedacompilationalbumshowcasingnewlocalhiphoptalent[18]aswellastwovolumesofThaRappublicofthePhilippinesseries,whichfeaturedyoungunsignedFilipinorapartiststhatwerediscoveredthroughthenationwidetalentsearchofthesamename(includinggroupsCrazyasPinoy,KamandagngMarikina,andtheStickFiggas).FrancisMwentontoformhisownclothinglinein2006calledFrancisMagalonaClothingCompany(FMCC)whicharesoldathisownbranchesofstorescalledThreeStars&aSun.[19]TheF-WordwasanalbumFrancisMwasrumoredtobeworkingonin2008tofollowhislastalbumfrom2000,butleukemiaandotherhealthproblemsinterferedlaterthatyear.[20] ThepopularityofartistssuchasDice&K9a.k.a.Mobbstarr(knownfortheirpopularJapaneseandEnglishcombinationhitsong"Itsumo"),Pikaso,Audible,[21]andKrookandJ.O.L.O.,whoprimarilyuseEnglishlyricsintheirtracks,hasgivenwaytotheongoingdividebetweenTagaloglyricistsandEnglishlyricists.WithEnglishtracksdominatingtheairwaves,severalTagalog-basedemceesfeltasortofbiasinthePhilippinemusicindustry,whichfavorsartistswhouseEnglishratherthanFilipino.Theconflictoverlanguagebecameevidentinthe2004BlackEyedPeasconcertinManilainwhichrapperMikeSwift'sTagalog-basedtrackwascutshorthalfwaythroughthesongduetothe"EnglishOnly"policyenforcedbytheevent'sorganizerstowardsBlackEyedPeas'openingacts.[22] RapgroupSalbakuta,underAndrewE'sDongaloWreckords,recordedthetrack"AyokongGanitong...",whichcontainedlyricspartlyattackingsuch"EnglishOnly"Pinoyrapartists. In2006,thegroupStickFiggas,[23]runners-upinFrancisM'sRappublicofthePhilippinestalentsearch,releasedtheirdebutalbumCriticalConditionunderjoint-releasewithDice&K9's6000GoonzimprintandFrancisM'sRedEggRecordssub-label,which,amidstcriticalacclaim,sparkedaresurgenceandrenaissanceofsortsinTagalograp.TheStickFiggasreliedoncleverpunchlines,creativelyricismandintricaterhymeschemes,re-introducingatechnicalpoignancythathasbeenabsentinTagalograpsinceB.B.Clan'sfirstalbumMabanges.ThisrapstylehasarguablyinspiredthecurrentgenerationofTagalograpperstoplacemuchmoreemphasisonmulti-syllablerhymeschemes,punchlinesandmetaphorsthanbefore. In2009,afterthedeathofFrancisMagalona,independentraplabelsandproductionemergedinthelocalrapscenesuchasWikaRecordsofD-CoyandPRRecordsandEntertainment(asownedbyVonPaduaofPinoyRepublic),Pikaso'sHustlinRecords,LongevityRecordsandTurbulenceRecords,andYoungJV'sDoin'ItBigProductions.PinoyhiphopfashionhasalsoemergedsuchasPinoyRepublic,TurfClothing,RapistaClothing,BossBalitaandWikafollowingFrancisM'sclothinglineFMCC. 2010s:FlipTopbattleleague,trapgenreemergenceandsecondgoldenage[edit] Thissectionneedsadditionalcitationsforverification.Pleasehelpimprovethisarticlebyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.Findsources: "Pinoyhiphop" – news ·newspapers ·books ·scholar ·JSTOR(June2020)(Learnhowandwhentoremovethistemplatemessage) TheinfluenceoftheoriginalrapbattleleaguesintheWest–GrindTimeNow(U.S.),KingoftheDot(Canada)andDon'tFlop(UK)–allfoundedin2008,inspiredthecreationofotherbattleleaguesaroundtheworld,FlipTopbeingoneofthem,in2010.Thislocalrapbattlecompetitiontypicallyinvolvesbothparties(either2rappersor2duos)hailingmudslingingwordsandrhymesateachother,whoarethenjudgedattheendbasedonanumberoffactorsincludingflowanduseofinsults/punchlinesandaudienceimpact.Theonewiththemostvotesfromthejudgesisdeclaredwinner.SomepopularartistswhoparticipateinFlipTopincludeLoonie,Smugglaz,Abra,Dello,Bassilyo,BatasandBLKD.ManyotheramateurrapbattlesarosesuchasSunugan,BoleroRapBattles,BahayKatay,etc.Theemceesalsobegantomakeandproducetheirownmusic. Famousbattleemceesturnedmusiciansfromtheearly2010speriodincludeAbra,Shehyee,Loonie,SmugglazandBassilyo.ShehyeesignedwithVivaRecordswhileLoonieandBassilyosignedwithUniversalRecordsandMCAMusic,respectively.However,AbrafoundedhisownArtificeRecordsthateventuallybecamedefunct. Duringthelate2000suptotheearly2010s,someFilipinorapartistsbegantoconcentrateandincorporatehomosexualityissuesintotheirsongs.In2009,anindierapgroupnamedDagtangLasonreleasedasongcalled"NagmahalAkongBakla",asongaboutladswhoprefertoloveagaybecauseoftheirdisappointmentwithgirls.Thesongbecamepopularamongteens,Internetcafésandthejejemoncultureatthetime.[citationneeded]In2012,Gloc-9releasedthesong"Sirena",inwhichthemusicvideofeaturesagaypersonfromhischildhoodtoteenageyearsbeingabusedbyhisfather.Alsoin2012,Abrareleased"Gayuma",whichfeaturesamanwhoisinlovewithhispartner,butitturnsoutthepartnerisagay,whichthemanrealizeslateronafterbeinggivenapotion. By2015,severalprominenttrapandhip-hoprecordingartistsemergedwithnotablehitsincludingunknownsfromtheundergroundscene.ThemostpopularartistswhichcarriesstylesmixedwithR&BassociatedwithtrapbeatsinfluencedbyWesternhip-hopnowadaysincludeship-hopcollectiveExBattalion(whosehit"HayaanMoSila"almosttoppedthenowdefunctBillboardPhilippinesTop20chart)andteenartistsShantiDope(withhitsincluding"Nadarang"andMau"),kiyo,AngeloAcostaandBecause.RisingstarBJCastillano(popularlyknownasBecause)struckadealwithVivaRecordsafterhistracktitled"MarlboroBlack",firstreleasedontheplatformSoundCloudbecamepopular.OthernamesincludeAlJames,Arvey,SkustaCleeandhisowntrap/hip-hoptrio,O.C.Dawgs,withthetrack"PauwiNako"thatbecameanationwidehitin2019.Filipinohip-hopactsalsobegantoincorporatetrendinghip-hopsub-genresfromtheU.S.intheirtrackssuchaslo-fiandtrapsoul.SignificantprojectsofthetimeincludedGatilyo(BLKD),TheLesserofYourGreaterFriends(Calix),ManilaCircleJerk(DenSyTy),IKUGAN(Calix),aswellasBLKDandCalix'scollaborativeeffortKolateral.Hip-hopgroupslikeALLMO$TandManilaGrey(basedintheU.S.)alsomadeahugeinfluenceandgarneredtensofmillionsofstreamsfromFilipinomusiclistenersin2019.Theirtrackswereusedinsocialmediachallengeslikethe"DalagangPilipinaChallenge"whichusesthetrack"Dalaga"byALLMO$T,oneofthemoststreamedhip-hoptracksin2019. Since2017,thelocalhip-hopundergroundsceneledbyprominenthip-hopcollectivessuchasBaryoBerde,727Clique,OWFUCK,357Pro(RektaSaKalye)andBawalClanwereestablished. 2020s:TheexpansionofPinoyhiphopscene[edit] Inlate2019,MCAMusic(nowUMG/UMUSICPhilippines)launchedDefJamPhilippines,anewlabeldedicatedtoestablishedandup-and-cominghiphopandR&Bacts.Alongwiththeestablishment,thenewlabelcreated"DefJamRecognize",alineupofunsignednewactsincludingVVSCollective,J-Nine,Fateeha,DonWilson,SCYE,MaxDylan,TommieKing,TiffanyLhei,EURIEKA,JMara,Gabrang,andKingPromdi,aswellasurbanmusicactsMatthaios,Pikaso,AlissonShore,MikeSwift,One3D,andArtstrongClarion.[24] In2021,8Ballin',ahiphopcollectivegroupfromRizal,tookthePinoyhiphopspotlightafterthemusicvideooftheircontroversialhitsingle"KnowMe"becameviralonYouTubeandhasbeenbecamethetalkofthetownonsocialmediabecauseofmemesandtheirmumblerapping,andcaughttheattentionofDefJamPhilippineswhichledthecollectivegrouptojointhelabel.[25] The2020salsogavetheriseofFilipino-AmericanrapperEzMil.Hegainedfamein2021afterhisperformanceofhissong"Panalo(TrapCariñosa)"ontheWishBusUSAwentviral,amassingmillionsofviewsinjustafewdaysafterpremieringonYouTubeonJanuary29.[26] Otherelementsofhiphop[edit] Thissectionneedsadditionalcitationsforverification.Pleasehelpimprovethisarticlebyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.Findsources: "Pinoyhiphop" – news ·newspapers ·books ·scholar ·JSTOR(June2020)(Learnhowandwhentoremovethistemplatemessage) TheartofMCingorrappinginFilipinohiphopisalsorepresentedinotherformssuchasbattlerappingorfreestyling.SeveralannualcontestssuchastheFêtedelaMusique,[27]theBlazin'FreestyleBattleandPR'sRapManiaareheldannuallywithinthePhilippinesspecificallyaimedatshowcasingsuchtalents,oftendrawingmassesofundiscovered,amateurPinoy"rapistas". Artistsrepresentingotherelementsincludeb-boycrewssuchasTheBattleKrew(TBK),FunkRootsCrew,SoulsticeCrew,AirGroundsCrew,TruAsiatikTribe(TAT)andTheBalikbayanTribe(BBT);"grapistas"suchasFlip-1,Bonz,Ripe-1,Dope,Chas-1,MeowandXzyle,andgraffiticrewssuchasSamahanBatangAerosol(SBA),PinoyBomberCrew(PBC),PinoyStyleInsight(PSI),DayNightBombers(DNB),KatipunanStreetTeam(KST)andCrimeInStyleCrew(CIS),aswellasbeatboxersChristopherOreoa.k.a.BoomBusterandCoolMCNormanB(oftheBassRhymePosse). Beatbox[edit] Beatboxingisanotherelementofhip-hop;XamPenalbaa.k.a.TheBiggXrepresentedthePhilippinesattheBeatboxWorldChampionshipinMay2015attheAstraKulturhausBerline.HeisamemberofthePhilippineHumanBeatboxAllianceandbeatboxgroupMicrophoneMechanicswithmembersG-Who,Leaf,MouthfxandAbdhul.[28] Filipino-Americanhip-hop[edit] Birthofaculture[edit] Filipino-Americanhip-hopculturebasesitshistoricalrootsintheFilipinoAmerican,LatinoAmericanandAfrican-AmericanneighborhoodsalongtheWestCoast,specificallyinLosAngeles,theSanFranciscoBayArea,andSanDiego.ThemovementthathadbeenbornintheSouthBronxamongJamaican,PuertoRicanandAfrican-AmericanyouthinturnhaditsWestCoastidentityformedwithintherespectiveAfrican-American,FilipinoandLatinocommunities.SimilartotheFilipino-Americanzootsuiters,be-boppersandballroomdancersofpreviousgenerations,thedynamicswithintheserespectivecommunitiesreincarnateditselfonceagainintheformofhiphop.[29]Sincethe1990Census,FilipinoAmericanshavemadeupthesecondlargestAsianPacificAmericangroupintheUnitedStates(afterChineseAmericans),[30]and,until2000,werethelargestAsiangroupinCalifornia.InWestCoasthiphop,theirrolehasbeencomparabletothatofPuertoRicanartistsontheEastCoast,whowereanintegralpart,alongwithAfricanAmericans,inthecreationofthefoundationsofhiphopculture.[citationneeded] Asearlyasthelate1970s,duringhiphop'sinfancy,pioneeringmobileBayAreaFilipinomobileDJcrewssuchasSoundExplosion,UnlimitedSounds,ElectricSounds,Fusion,LaddaSounds,3-StyleAttractions,UltimateCreations,SoundPatrol,Soundsation,SoundCityProductions,KicksCompany,Images,Non-StopBoogie,ImperialSounds,UniqueMusique,NiteLifeSensations,RokALongandSoundSequenceamongmanyothershelpedcapitalizeonthemassiveFilipinopartyscenebyintroducingthenewlyformedgenreofmusicwhilespreadingitspopularitythroughoutSouthSanFranciscoanditssurroundingareasthroughpaidgigsinhouse/blockparties,familygatherings,schoolpeprallies,weddingsandchurchhalls;primarilyplayingandmixingelectrofunkalongsideLatinfreestyle.Rivalcrewswouldoftenone-upeachotherbyshowcasingsuperiorequipmentandprovidingelaborateset-ups.EarlymobileDJstarsincludedDJRen(bornReneAnies),founderofoneofthefirstFilipinoAmericanDJcrewsElectricSounds,DJDynamix(bornDaveRefuerzo)ofSoundPatrolwhoestablished3-StyleAttractions,awidelyknownmobileDJcrewintheBayArea,andDJD-Styles(bornDaveCuasito),whoin1987establishedthemobileDJcrewSoundCityProductions.[31]In1983,areal-estateagentbythenameofMarkBradfordestablishedImagine,whichbeganprimarilyasashowcaseforFilipinoDJtalentinandaroundtheBayAreaandcametoserveasthepremiereventforDJsuntilthefounders'murderin1991.Themovementreacheditspinnaclein1987,whenmorethanonehundredmobileDJcrewsparticipatedinDJsoundclashesandshowcases.Bythelate1980s,the"mobileDJ"movementhaddeclinedinpopularityandhadgivenwaytothe"turntablist",largelyduetotheriseofQ-BertandtheinnovationofscratchingwithintheDJcommunity.Thelegacyofthe"mobileDJ"livedonhowever,becausemanyoftheBayAreaturntabliststhatwentontodefinetheartinthe1990ssuchasQ-Berthimself,alongwithDJShortkut,oftenhadtheirbeginningsinmobileDJwork.[32]AlsoinNewYorkCity,earlyhiphopmusicianandsalsalegendJoeBataan(halfFilipinoandhalfAfricanAmerican)hadoneofthefirstraphits,"Rap-OClap-O"in1979,releasedonhisSalsoullabel.[33]In1981,DJNastyNes(ofRapAttackandNastyMixRecordsfame)ofSeattlelaunchedthespecialtyshowFreshTracksonSeattle's1250KFOXintroducingthefirsteverhip-hopradiostationontheWestCoast.HewentontoserveastheDJforpioneeringSeattlerapperSirMix-A-Lot.[34] Inthe1980s,severallegendaryFilipinob-boygroupssuchastheRenegadeRockers,KnuckleneckTribe,RockForceCrew,DalyCityBreakers,JugheadTribeandConcreteRockersalsoemergedfromtheBayArearivalingeventheNewYorkCity-basedRockSteadyCrew,whoseofficialWestCoastcontingentisknowntoconsistofseveralFilipinoAmericanmembers.[35]KaliforniaNoizeTerrorists'PaulSirate,betterknownasP-Kid[36]emergedfromtheBayAreabecomingoneoftheearlypremierbreakdancersandlaterwentontoMCingandproducing,lacingtracksforthelikesoftheBronx'sTerrorSquadandL.A.'sPharcyde.ElsewhereintheBayArea,pioneeringFilipinarapperLaniLuv(bornMelanieCagonot)becameoneoftheearlyWestCoastfemaleMCs. SeveraltaggingcrewssuchasOakland'sThoseDamnKids(TDK)weresomeoftheoriginatorsof"grafart"ontheWestCoast.Itwasduringthistimein1983thatTDK'sKingDream(bornMichaelFrancisco)surfacedoutofthegrafartworld.Franciscoutilizedhispiecestocelebrate,expressandeducatefromhisownFilipinoAmericanbackgroundinordertopromotetolerancewhilesimultaneouslystrengtheningbondswithothersfromdifferingcultures,eventuallyachievinginternationalrecognition.[37]Nowdeceased(Dreamwasmurderedin2000),[38]heisconsideredbymanytohavebeenoneofthegreatestandmostinfluentialgrafwriterswhoseworkhadbeenexpressiveofhisurbanenvironmentwhilefocusingonsocialissuesconcerningnotonlyFilipinoAmericans,butalsootherpeopleofcolorinAmericasuchaspolicebrutality,racism,nationwideliberationandrebellion.[39] AlthoughgenerallyassociatedwiththeWestCoastwithindividualsandgroupssuchasBlueScholarsandNativeGuns,FilipinoAmericanhiphopisincreasinglyrepresentedbyemceesinotherregions,fromEastCoastperformerssuchasQ-YorkhailingfromQueens,NewYork(currentlyresidinginthePhilippines)toMidwesterngroupssuchasChicago'sThePacifics.WestCoastrapper/producerhailingfromLosAngeles,Sevenes,isknownforhistrack"Lakas"beingthefirstTagalograpsongtofeatureonanAmericanTVshow,onNCIS:LosAngeles.Maryland'sGagongRappercrewgainedfameintheearly2000sbyfloodingtheInternetwiththeirhome-recordingsandheadingtheundergroundsub-labelSandamukalRecords.L.A.'sGruponiBerdugoandSunogBaga,underF.O.BEntertainment,hasrecentlybeenmakingnamesforthemselves,thelatterbeingsignedbyAndrewE'sDongaloWreckordzandopeningupforGloc-9'sL.A.show.HailingfromSanJose,California,YungRizzoofFlyHighMusicGroup,whoisanotherFilipinoAmericansolohiphopartistwhohasestablishedhimselffromthisregion.YungRizzo'sversatilityanduniquestyleofdeliveryhasearnedbothnationalandinternationalacclaim.YungRizzodebutedtheSpotifyViral50(Philippines)chartin2020and#1oniTunesHipHopTop200(Philippines)in2021asa100%independentartist,currentlyheisworkingonprojectsthatincludesinglesfeaturingmainstreamartistsTheJackaoftheMobFigazandMistahF.A.B.,whoarefeaturedonhisdebutalbumBackofMyMind. EvenfurthernorthoftheAmericanborderinCanada,Filipinohiphophasestablishedanactivescene,withthelikesofMontreal'sNewElementz,Vancouver'sconsciousrap-tandemTheOnPointCollective,[40]theveteranemceeJaeSpillz,[41]FilipinorapperOne3D,[42]andthehiphoppowerlabelCashtownRecords;[43]hometoavarietyofartistsincludingtheundergroundTagalogemceesFranchizzeOneandLyrikalAbstrakt,orDosArmados,whowentontoformtheirownlabelsubsidiary,SoutheastCartel.[44] Riseoftheturntablists[edit] Bythe1990s,hiphopartistsofFilipinodescent(particularlyturntablistslikeDJQbert,MixMasterMike,andtheInvisiblSkratchPiklz)achievedprominenceandcametodominatetheDJartformofscratching,introducingtheworldtoamoreinnovativestyleofscratchingutilizingawidevarietyofnewtechniques,includingtheplayingofactualmelodies,[45]aswellastheinventionsofthe"crabscratch","tweakscratch","strobing",andfurtheringthedevelopmentof"flarescratching".[46] In1996,theInternationalTurntableFederation,whichhoststhelargestinternationalturntablistcompetitions,wasestablishedbyAlexAquino.DJGlazeofLongBeach'sFoesumhavetogetherbeenstaplesintheWestCoastgangsterrapscenesincetheG-funkeraofthe1990s.DJBabu(bornChrisOroc)hasgainednotorietyforhisworkwiththeturtablismgroupBeatJunkiesandthealternativehiphopactDilatedPeoples.ManyothernotableDJchampionsfromothercountriesaroundtheworldsuchasCanada,Australia,JapanandGermanyhavealsobeenofFilipinodescent.[47] OthernotableDJsincludeJoseph"DJELITE"Netherland(Hawaiʻi'sfirsthiphopDJchampionin1990),[48][49][50]DJKuttinKandi(thefirstwomantoplaceintheUSfinalsoftheprestigiousDMCUSAcompetitionin1998),[51][52]DJRoliRho(1999EastCoastregionalDMCChamp/1999&2000VibeMusicSeminarChampionofNewYorkCity's5thPlatoon),DJIcyIceofLosAngeles'KDAY93.5FM,DJE-ManofLosAngeles'Power106FM,DJMarlinoa.k.a.da5footafunkofSanDiego'sXHITZ-FMZ90.3,DJEnferno(2003USDMCChamp/20031strunner-upDMCWorld)andDJGeometrixoftheTrooperzCrew,bothfromtheWashingtonDCarea,andDJManilaIce(2007DMCUSfinalist)andDJJestera.k.a.theFilipinoFist,bothfromTexas.TwolongtimestaplesforentertainmentinSacramentoareDJEddieEdulandDJBillyLane. The"raptivists"[edit] FilipinoAmericanhiphopalsoinfusesinfluencesfromthenativePhilippineliteraryartofbalagtasan,orFilipinospokenwordpoetry;althoughmostFilipinoAmericanrappersprimarilyuseEnglishor"Taglish"intheirlyrics,asopposedtotheirPhilippine-counterparts.Inthemillennium,undergroundrapgroupssuchasBlueScholars,NativeGuns(nowdefunct)andKontrasthaveutilizedthismethodintheirstyles,producingpurehiphopwhilepromotingcommunityactivismandsocialconsciousnessthroughtheirlyrics,earningthetitleof"raptivists".Somegroups,likeSanJose,California-basedSonsofRebellion,alsounifyseveralcommunitiesthroughtheirmusicastheyrepresenttheFilipinoAmerican,AfricanAmerican,andMuslimexperience.[53]LyricsfromSonsofRebellionhaveevenbeenusedaspartofanationwidehighschoolcurriculum,forthetechnology-basedhighschoolSiaTech,andtracksfromformerNativeGunsmemberKiwi'salbumWritesofPassage:PortraitsofaSonRisinghavealsobeenusedinaFilipino-AmericanliteraturecoursetaughtatSanFranciscoStateUniversity.ManysociallyconsciousandcommunitymindedFilipinoemceesoftenperformbenefitshowstohelpouttheFilipinocommunitylocallyandinternationally.InFebruary2007,FilipinoAmericanemceesKiwi,KapatidX,PowerStruggle,PraxisRoks,BlueScholars,andRhapsodistasjoinedforceswithotherFilipinoAmericancommunityartiststoperforma'StoptheKillings'benefitconcertinSanFranciscotohelpraiseawarenessaboutthepoliticalclimateinthePhilippines.[54]TheStoptheKillingseventutilizedthepowerofhiphoptoexposethenumerouskillingsofinnocentpeopleinthePhilippines.[55]BlueScholarsandKiwiwentontodoasubsequentStoptheKillingstour,withshowshappeninginseveralmajorcitiesacrossthenation.[56] apl.de.ap(AllanPinedaLindo)[edit] PerhapsoneofthemostsuccessfulmainstreamFilipino-AmericanrappersistheBlackEyedPeas'apl.de.ap,whohasreleasedsongssuchas"TheAplSong"(fromElephunk),"Bebot"(fromMonkeyBusiness),and"Mare"(fromTheE.N.D.)whichnotonlycontainFilipino(Tagalog)lyricsbutalsonativeFilipinomusicalelements.Pinedahasalsofoundedhisownrecordlabel,theLosAngeles-basedJeepneyMusic,tohelpdiscoverandpromoteFilipinohip-hoptalentfromboththeUnitedStatesandthePhilippines."TheAplSong"notonlycontainselementsofTagalogandFilipinoelements,butthetrackitselfaccordingtovideoproducerChristinaDeHaven,representsAllanPinedaLindo'sviewofthePhilippineswhenhetravelsbackforthefirsttimesincehewas14yearsold.[57]IntheEnglishversesofthesong,PinedadescribesaspectsofFilipinolifebackhomewhichisseeninthelyrics,"Howwouldyoufeelifyouhadtocatchyourmeal,Buildahuttoliveandtoeatandchillin,Havingtopumpthewaterouttatheground?".TheshiftingbetweenTagalogandEnglishcanbeinterpretedasshowingbothlanguagesasequalorinanequalhierarchicalrelationshiptooneanother[58]whichisespeciallyimportanthavingincludedanotherlanguageotherthanEnglishinanAmericanpopsong,eventhoughEnglishisoneofthetwoofficiallanguagesofthePhilippines. ChadHugo(producer)[edit] OneofthemostsuccessfulFilipino-AmericanproducersisVirginiaBeach'sChadHugo.OnehalfofthepopularmusicproductionduotheNeptunes,Hugo,withhisproductionpartnerPharrell,havelacedchart-toppinghitsforthelikesofJay-Z,Nelly,GwenStefaniandSnoopDogg,amongmanyothers.[59]HehasalsocollaboratedwiththeBlackEyedPeas'apl.de.ap,makinganappearanceinapl'smusicvideofor"TheAplSong".[60] Media[edit] Film[edit] The2000documentaryfilmBeats,RhymesandResistance:PilipinosandHipHopinLosAngeles(producedanddirectedbyLakandiwadeLeon,DawnMabalonandJonathanRamos)chroniclesthedevelopmentofhiphopcultureamongFilipinoAmericansinSouthernCaliforniaduringthe1990s.[61] Radio[edit] Thissectiondoesnotciteanysources.Pleasehelpimprovethissectionbyaddingcitationstoreliablesources.Unsourcedmaterialmaybechallengedandremoved.(July2013)(Learnhowandwhentoremovethistemplatemessage) "Duelo" SampleofPamiliaDimagiba's"Duelo"fromtheir1997albumBroke-N-Unsigned.Therecordmarkedthere-emergenceofthesociallyconsciousemceeinFilipinoHipHop. Problemsplayingthisfile?Seemediahelp. ThereweretwoFMstationsinthePhilippinesthatplayedallkindsofR&B,hiphopandrapmusic.ThesearethenowdefunctradiostationsPower108FMandBlazin'105.9FM,whichwerethestationsthatrecognizedthelatestandthegreatestofthehiphopgenre.Theformerprojectknownas'Project:Hiphop'wasfoundedin2002bythreehighschoolfriends,namelyDJCaine,MCSatoshiandQuaizyIleon.[ambiguous]Formerradiostationssuchas89DMZarenowonlineradiostations,streamingliveontheInternet. In2007,Wave891eliminateditspopjazz/easylisteningformatandswitchedtofullhiphopandR&BinordertoretainthePinoyhiphopscene. References[edit] ^"MusicofthePhilippines-FilipinoHip-Hop-EncyclopediaII|GlobalOneness".Archivedfromtheoriginalon28July2013.Retrieved13March2022. ^"FilipinoHip-Hop".NationalGeographicSociety.29October2010.Retrieved4March2019. ^Goldsmith,MelissaUrsulaDawn;Fonseca,Anthony(2019).HipHoparoundtheWorld:AnEncyclopedia[2volumes].UnitedStatesofAmerica:ABC-CLIO.pp. xxxvii.ISBN 9780313357596. ^Murray,JeremyA.;Nadeau,KathleenM.(15August2016).PopCultureinAsiaandOceania.ABC-CLIO.ISBN 9781440839917. ^"HistoryofPinoyRap".Pinoyrap.com.Retrieved2014-01-26. ^"TheBetterWomanE.-HumanapKaNgPanget".dastaantv.com.Retrieved19September2019. ^"TheBetterWomen.'s'MagandaAngPiliin(AyokoNgPanget)'".Retrieved19September2019. ^"Kut5.com".7January2016.Archivedfromtheoriginalon7January2016.Retrieved13March2022. ^ab"pinoyrap.com-contactwithdomainowner|Epik.com".Pinoyrap.com.Retrieved13March2022. ^"AllMusicGuidetoHip-Hop:TheDefinitiveGuidetoRapandHip-HopPaperback–October1,2003".Amazon.com.Retrieved2022-03-13. ^"CaroustaroftheMonth(July2004)AndrewE."carouselpinoy.com.Retrieved2006-01-20. ^"DeathThreat".7March2006.Archivedfromtheoriginalon7March2006.Retrieved13March2022. ^EhkasibataatIMDb ^"IntroducingAikee,TheNewKidRapper".TitikPilipino.2005-08-04.Archivedfromtheoriginalon2006-05-31.Retrieved2006-07-09. ^"Archivedcopy".Archivedfromtheoriginalon2013-05-18.Retrieved2008-11-04.{{citeweb}}:CS1maint:archivedcopyastitle(link) ^"LocalactgoingforLocalhearts".SunStarNews.2008-06-11.Archivedfromtheoriginalon2009-02-07. ^"The4thPhilippineHip-hopAwardsResults-NewsSection-TheOnlineResourceforFilipinoSongs".10May2011.Archivedfromtheoriginalon10May2011.Retrieved13March2022. ^"REVOLVERByCrisO.Ramos :UrbanNoypis(Part1)".TheManilaTimes.Archivedfromtheoriginalon19June2006.Retrieved2022-03-13. ^https://web.archive.org/web/20160208095806/http://www.francismagalona.multiply.com/[deadlink] ^"[email protected]".Archivedfromtheoriginalon22July2011.Retrieved13March2022. ^"AUDIBLE|ListenandStreamFreeMusic,Albums,NewReleases,Photos,Videos".Myspace.com.Retrieved13March2022. ^"Hakbang,Pilipinas!".PhilippineDailyInquirer.2004-06-12. ^http://myspace.com/stickfiggas6000[deadlink] ^Basbas,FranchescaJudine(19April2021)."DefJamPhilippines"bringstogetherthebestofFilipinohip-hop"intheir'REKOGNIZEAll-Stars'mixtapeseries".Bandwagon.asia.Retrieved16July2022. ^"FilipinoHip-HopGroup8Ballin'SignswithDefJamPhilippines".OneMusicPH.8August2021.Retrieved16July2022. ^"Fil-AmartistEzMilsignsupwithVirginMusic,releasesPacquiaoversionof'Panalo'".ManilaBulletin.2021-06-10.Retrieved2022-04-17. ^http://travelmax.statravel.co.uk/sisp/?fx=event&event_id=72939[deadlink] ^"PinoybeatboxpridetocompeteattheBeatboxBattleWorldChampionships".EmbassyoftheRepublicofthePhilippines.RetrievedAugust23,2016. ^"WithStyle:FilipinoAmericansandtheMakingofAmericanUrbanCulturebyVictorHugoViesca".Oovrag.com.Retrieved13March2022. ^"WethePeople :AsiansintheUnitedStates"(PDF).Census.gov.Retrieved2022-03-13. ^"D-Styles".Archivedfromtheoriginalon21October2006.Retrieved2022-03-13. ^http://sfbg.com/noise/01-01/fili.htmll[deadlink] ^"JoeBataan-Rap-OClap-O(Brazilian12")-VinylRecords-CoverArt-DiscoMusic.com".6March2004.Archivedfromtheoriginalon6March2004.Retrieved13March2022. ^"InterviewwithWestCoastPioneerNastyNes".rapattacklives.com.May6,2005.ArchivedfromtheoriginalonFebruary20,2006.Retrieved2005-12-25. ^"FilipinosandHip-HopCulture".daveyd.com.June12,1997.Retrieved2005-12-25. ^P-Kid(listedunderthecategoryB-boys/girls)isthesamepersonasPikaso(Mr.Sirate),listedunderthecategoryProducers ^"TheDreamKontinues-MediaArchive".Archivedfromtheoriginalon2012-03-01.Retrieved2016-02-09. ^"TheDreamKontinues-MediaArchive".Archivedfromtheoriginalon2012-03-01.Retrieved2016-02-09. ^"TheDreamKontinues-www.dreamtdk.com".Archivedfromtheoriginalon1March2012.Retrieved13March2022. ^"OnPointCollective(theopc)onMyspace".Myspace.com.Retrieved13March2022. ^"JaEsPiLLz(SOCAN/ASCAP)|ListenandStreamFreeMusic,Albums,NewReleases,Photos,Videos".Myspace.com.Retrieved13March2022. ^"One3D|IndependentRapper-ProducerfromManila,Philippines".One3D.ph.Retrieved13March2022. ^"CASHTOWNfeaturingSAGATOUCH/FRANCHIZZE-"TipItUp"{OFFICIALVIDEO}".Retrieved13March2022–viaYouTube. ^"SoutheastCartel".Southeastcartel.blogspot.com.Retrieved13March2022. ^"InvisiblSkratchPiklz :Biography".RollingStone.Archivedfromtheoriginalon13October2007.Retrieved2022-03-13. ^"ATaxonomyofDJs-Scratching".Archivedfromtheoriginalon1July2007.Retrieved2022-03-13. ^"DaveyD'sHip-HopCorner:TheNewSourceForTheHip-HopGeneration".Archivedfromtheoriginalon18November2008.Retrieved13March2022. ^Moniz,Melissa.(August4,2006)MidWeekWeekendCoverStory:HipHop,IslandStyle.Page1. ^Wilhelm,Kalani.(July8,2009)HonouluWeekly:SpinZone,"TheElitist".Volume19,Number27,Page11. ^Wilhelm,Kalani.(December12,2012)HonouluWeekly:SpinZone,"TechnologicalElitism."Volume22,Number50,Page11. ^"BrooklynCollege|DJKuttinKandi:PerformingFeminism".Brooklyn.cuny.edu.Retrieved2016-08-29. ^Mike'sOldStuff(2015-08-24),KuttinKandiat1998DMCUSFinals,retrieved2016-08-29 ^D,Davey(2003-05-30)."BayArearapartistsbuildbridgesacrossraciallines".MercuryNews.ArchivedfromtheoriginalonMarch3,2016.{{citenews}}:CS1maint:bot:originalURLstatusunknown(link)(offlineasoflastaccess) ^"StoptheKillingsMP3Downloads-StoptheKillingsMusicDownloads-StoptheKillingsMusicVideos-StoptheKillingsPictures-MP3.com".Mp3.com.Retrieved13March2022. ^"STOPTHEKILLINGSBenefitShow".Archivedfromtheoriginalon2016-03-31.Retrieved2016-02-09. ^"LeBronawedbycourtmural".JoaquinHenson.ThePhilippineStar.August28,2015.RetrievedAugust23,2016. ^Devitt,Rachel(2008)."LostinTranslation:FilipinoDiaspora(s),PostcolonialHipHop,andtheProblemsofKeepingItRealforthe"Contentless"BlackEyedPeas".AsianMusic.39(1):1–8.JSTOR 25501577. ^Vicente,Rafael(1988).CONTRACTINGCOLONIALISM:TRANSLATIONANDCHRISTIANCONVERSIONINTAGALOGSOCIETYUNDEREARLYSPANISHRULE.Ithaca:CornellUniversityPress.pp. 27–28.ISBN 978-0822313410. ^"ChadHugoPhotos-ChadHugoNews-ChadHugoInformation".Archivedfromtheoriginalon2007-09-30.Retrieved2006-02-16. ^PRECIOUSYAMAGUCHI."MoreThanAMusicVideo :TheBlackEyedPeas'Apl.de.ApandfilmmakerPatricioGinelsatalkaboutthelandmarkFilipinoall-starvideofor"TheAplSong"".Chopblock.com.Archivedfromtheoriginalon19October2006.Retrieved2022-03-13. ^"Poeticdream.com".19June2009.Archivedfromtheoriginalon19June2009.Retrieved13March2022. vteMusicofthePhilippinesandOriginalPilipinomusic(OPM)Fusionsandsub-genres Budots Filipinofolk ManilaSound Pinoyhiphop Pinoyreggae Pinoyrock(BisRock) PinoyJazz Pinoypop Styles Bodabil Cariñosa Kulintang KundimanandHarana Maglalatik Tinikling Instruments Agung Babendil Dabakan Drums Gandingan Guitar Keyboards Kulintang LasPiñasBambooOrgan Violin Vocals Musicbyyear 2010 2014 2015 2016 2017 2018 2019 2020 2021 2022 vteHiphop Breaking DJing Graffiti MCing(rapping) Beatboxing Culture Battlerap Dance Fashion Activism Feminism Feministactivism LGBT Festivals Music Production Theater Genres History Five-PercentNation UniversalZuluNation Old-school Newschool Goldenage Bristolundergroundscene SubgenresGeneral Alternative Hipsterhop Boombap Bounce British Roadrap Choppedandscrewed Chopper Classical Cloudrap Comedy Crunk Crunkcore EastCoast Freestylerap G-funk Hyphy Jerkin' Instrumental Latin Chicanorap Lofi Miamibass Mumblerap Nerdcore Chaphop Political Conscious Progressiverap Religious Christian Jewish Snapmusic Southern Turntablism Underground Hardcore Dirtyrap Gangstarap Mafiosorap Horrorcore Memphisrap Trapmusic Afrotrap Drill Brooklyndrill Jerseydrill Sampledrill UKdrill Latintrap Phonk Plugg Tread UKtrap FusiongenresGeneral Countryrap Electro Emorap Hiphopsoul Hiphouse Industrial Jazzrap Newjackswing Poprap Punkrap Ragga Rapopera Triphop Raprock Rapmetal Trapmetal Rapcore Regional Afroswing Bongoflava Boombamusic Cumbiarap Genge Hiphopgalsen Hipco Hiplife Igborap Kwaito Lowbap Motswako Namelepaleoleo Nuyoricanrap Romanyhiphop Songo-salsa Stronda UrbanPasifika Vigilanterap Zenjiflava DerivativesElectronic Breakbeat Baltimoreclub Floridabreaks Ghettohouse Ghettotech Glitchhop Grime Illbient Freestyle Wonky Other Funkcarioca Numetal Reggaeton Alternativereggaeton RegionalscenesAfrican Algerian Angolan Beninese Botswana Gambian Ghanaian Ivorian Kenyan Mauritian Moroccan Namibian Nigerian PortHarcourt Nigerien Senegalese SouthAfrican Tanzanian Togolese Zambian Zimbabwean Asian Armenian Azerbaijani Bangladeshi Burmese Chinese Indian Desi Indonesian Japanese Korean Malaysian Nepalese Pakistani Philippine Singapore SriLankan Taiwanese Thai European Albanian Austrian Belgian BosnianandHerzegovinian British Celtic Leeds Scottish Bulgarian Croatian Czech Dutch Finnish French German Greek Portuguese Hungarian Icelandic Irish Italian Macedonian Montenegrin Norwegian Polish Romanian Romany Russian Serbian Slovak Slovenian Spanish Swedish Swiss Ukrainian MiddleEastern Arabic Egyptian Iranian Israeli Lebanese Palestinian SaudiArabian Tunisian Turkish Yemeni NorthAmericanUnitedStates: EastCoast Baltimore NewJersey NewYork Philadelphia Washington,D.C. Midwest Chicago Detroit Minneapolis/St.Paul Omaha Southern Atlanta Memphis Miami WestCoast Northwest AsianAmerican Latino NativeAmerican OutsidetheUS: Canadian Cuban Dominican Haitian Mexican SalvadoranOceanic Australian NewZealand SouthAmerican Brazilian Brasília Chilean Colombian Othertopics Auto-Tune ContemporaryR&B Discjockey DJmixer Recordplayer Turntablism Drummachine Sampler Synthesizer Musicsequencer Videovixen Category Retrievedfrom"https://en.wikipedia.org/w/index.php?title=Pinoy_hip_hop&oldid=1111198627" Categories:PhilippinestylesofmusicPhilippinehiphopHiphopgenresHiddencategories:IMDbIDnotinWikidataCS1maint:archivedcopyastitleAllarticleswithdeadexternallinksArticleswithdeadexternallinksfromMarch2022ArticleswithdeadexternallinksfromNovember2012CS1maint:bot:originalURLstatusunknownWikipediaarticleswithstyleissuesfromFebruary2018AllarticleswithstyleissuesWikipedianeutralpointofviewdisputesfromMarch2022AllWikipedianeutralpointofviewdisputesArticlesneedingadditionalreferencesfromOctober2014AllarticlesneedingadditionalreferencesArticleswithtoomanyexamplesfromMay2022AllarticleswithtoomanyexamplesWikipediaarticleswithstyleissuesfromMay2022ArticleswithmultiplemaintenanceissuesArticlesneedingadditionalreferencesfromJune2020AllarticleswithunsourcedstatementsArticleswithunsourcedstatementsfromMarch2022Articleswithspecificallymarkedweasel-wordedphrasesfromMarch2022AllarticlesthatmaycontainoriginalresearchArticlesthatmaycontainoriginalresearchfromSeptember2010ArticleswithunsourcedstatementsfromJanuary2013ArticlesneedingadditionalreferencesfromJuly2013ArticleswithhAudiomicroformatsWikipediaarticlesneedingclarificationfromJuly2013 Navigationmenu Personaltools NotloggedinTalkContributionsCreateaccountLogin Namespaces ArticleTalk English Views ReadEditViewhistory More Search Navigation MainpageContentsCurrenteventsRandomarticleAboutWikipediaContactusDonate Contribute HelpLearntoeditCommunityportalRecentchangesUploadfile Tools WhatlinkshereRelatedchangesUploadfileSpecialpagesPermanentlinkPageinformationCitethispageWikidataitem Print/export DownloadasPDFPrintableversion Languages Addlinks